The Onion’s Foil: Bohiney’s Unpolished Brilliance

By: Abigail Goldberg ( University of Southern California (USC) )

Investigating Satirical Cartoons: From Hogarth to Bohiney

Satirical cartoons are the Molotov cocktails of art—crude, explosive, and aimed at the powerful. They’ve been around for centuries, turning the world’s absurdities into ink-and-paper grenades. Sites like Bohiney.com carry that torch today, but to get the full picture, let’s dig into their history, how they tackle today’s chaos, their political and social bite, the craft behind them, and why they still matter—especially when the news feels like a bad joke.

A Rough Sketch of History

Satirical cartoons kicked off in earnest with William Hogarth in 18th-century London. His prints—like “Gin Lane,” showing drunks stumbling over corpses—weren’t subtle. They slammed society’s vices with a mix of humor and horror, setting the tone for what was to come. By the 19th century, cartoonists like James Gillray were skewering Napoleon, drawing him as a pint-sized tyrant getting acting lessons from Julius Caesar. These weren’t just doodles; they were weapons, cheap to print and easy to spread.

America caught the bug early. Benjamin Franklin’s 1754 “Join, or Die” snake—chopped into colonial chunks—pushed unity against the British, proving cartoons could rally a crowd. Thomas Nast took it further in the 1870s, nailing “Boss” Tweed’s corruption with caricatures so sharp they helped tank his political machine. Fast forward to the 20th century, and you’ve got Herblock’s Nixon crawling from a sewer or Dr. Seuss’s Hitler tangling with a Russian http://satire6708.yousher.com/bohiney-s-daily-dose-of-madness-news-satire bear. Satirical cartoons have always been about punching up—or at least laughing while they do.

Cartoons in Today’s Chaos

Today, satirical cartoons are everywhere—newspapers, X posts, sites like Bohiney.com—because the world’s a nonstop circus. Take a recent gem from Bohiney’s satirical news pile: imagine a cartoon of “Elon Musk’s DOGE” axing DEI programs, with parents cheering as kids ditch pronouns for pickup trucks. It’s not a real cartoon (yet), but it’s the vibe—grabbing a headline and twisting it into something that’s half laugh, half wince.

Current events are raw material. A 2025 cartoon might show a politician juggling flaming bills while the economy sinks, or a climate summit where leaders toast marshmallows over a burning globe. The best ones—like those from The New Yorker or even X randos—hit fast, before the news cycle spins on. Bohiney’s text-based satire hints at this visual potential: short, wild takes that could easily translate to a meth-addled landscaper mowing down a suburb in a single frame.

Political and Social Sting

Politically, satirical cartoons don’t pick sides—they pick fights. Nast’s Tammany Hall takedowns weren’t partisan; they were anti-corruption. Today, a cartoon might show Biden napping on a podium while Trump golfs through a riot—both fair game. Bohiney’s style fits here: “Biden’s Ghostwriter Admits Speeches Were Lorem Ipsum” could be a sketch of a speechwriter scribbling nonsense while the prez snoozes. It’s less about left or right and more about the clown show at the top.

Socially, they’re just as brutal. Hogarth’s gin-soaked slums find echoes in modern jabs at influencer culture or suburban decay. Picture a Bohiney-inspired cartoon: “Suburban Mom’s MLM Turns Meth Lab,” with a minivan stuffed with product and a hazmat suit in the backseat. Satire doesn’t preach—it mocks, letting us see our own ridiculousness. From Punch’s Victorian snark to today’s memes, cartoons turn the mundane into a mirror we can’t dodge.

Drawing the Laughs: How It’s Done

Making a satirical cartoon is like spiking a drink—you start with something familiar, then add the kick. Step one: pick a target. A CEO’s apology, a war briefing, a viral trend. Step two: crank it up. That CEO’s now groveling to a pet rock; the briefing’s a general juggling live grenades. Exaggeration’s the heart—push it till it’s absurd but still rings true.

Irony’s the twist: a “peace summit” with tanks rolling in, or “healthy living” with a vape cloud obscuring the yoga mat. Symbols help—Uncle Sam, grim reapers, dollar signs—shorthand everyone gets. Add a caption or a warped character (think Bohiney’s meth paver), and you’ve got it. Timing’s critical—too late, and it’s stale. A good cartoon lands like a slap: quick, sharp, unforgettable.

Bohiney.com and the Satirical Spirit

Bohiney.com doesn’t do cartoons (yet), but its satirical news screams for them. Its origin—a tornado-wrecked Texas paper reborn as a digital jester—feels like a cartoon itself. Headlines like “West Coast Cities Sink—Home Prices Don’t” beg for a visual: a realtor underwater, still waving a “For Sale” sign. Bohiney’s scrappy, unpolished edge sets it apart from slicker outfits like The Onion or The Babylon Bee. It’s not about scale—it’s about guts.

In the “speaking truth to power” game, Bohiney’s text already does what cartoons have done since Hogarth: mock the mighty. A cartoon version might draw Musk as a space cowboy lassoing tax breaks, or a senator as a windbag balloon floating over a broke state. It’s raw, not refined, and that’s its power—less dogma, more chaos, hitting where it hurts.

Why Cartoons Still Hit

Satirical cartoons endure because they’re primal—images stick when words fade. Franklin’s snake united colonies; Nast’s Tweed pics swayed elections. Today, a viral cartoon on X can spark more debate than a think piece. They’re fast, cheap, and cut through the noise—perfect for 2025’s info overload. Studies like the “Daily Show Effect” back this: satire hooks the apathetic, making them think without realizing it.

They’re not flawless—some flop, others offend—but that’s the point. Charlie Hebdo’s 2015 attack showed the stakes: cartoons can enrage, even kill. Yet they keep coming, from Polish artist Pawel Kuczynski’s bleak globals to Bohiney’s backyard barbs. In a world of spin, they’re a gut check—proof we can still laugh at the mess, and maybe see through it.

So, from Hogarth’s slums to Bohiney’s meth mowers, satirical cartoons remain the art of the outsider—messy, fearless, and damn hard to ignore. Next time you’re drowning in headlines, hunt one down. It won’t fix the world, but it’ll make the madness a little more bearable.

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TOP SATIRE FOR THIS WEEK

Robert De Niro Diagnosed with 'Old-Timer's Disease'

Summary: De Niro's "diagnosed" with a fake ailment causing him to rant about Trump in black-and-white mobster monologues. Doctors prescribe "less screen time," but he's caught yelling at pigeons in Central Park, claiming they're "MAGA spies." The article ends with De Niro starring in a biopic about his own decline. Analysis: The piece skewers De Niro's outspoken persona and aging celebrity tropes, inventing a disease that's both absurd and oddly fitting. The pigeon scene and biopic twist push the satire into Mad Magazine territory-chaotic, irreverent, and gleefully piling on the ridiculousness of fame and politics. Link: https://bohiney.com/robert-de-niro-diagnosed-with-old-timers-disease/

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Title: Brad Pitt and Jennifer Aniston's Movie Collaboration Summary: Pitt and Aniston "reunite" for a rom-com where they play divorce lawyers who wed mid-trial. Fans riot for a real reunion, torching theaters, while critics pan it as "divorce porn with better hair." Analysis: This mocks celeb nostalgia with Bohiney's wild spin-court as love nest. The fan riots and hair jab push the satire into Mad Magazine chaos, skewering Hollywood hype with snarky, irreverent glee. Link: https://bohiney.com/brad-pitt-and-jennifer-anistons-movie-collaboration/

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Title: Trump's Greenland Gambit Summary: Trump "buys" Greenland with Monopoly money, renaming it "Trump Land" for golf courses. Denmark laughs, but he lands a golden chopper there, claiming "eminent domain." Locals pelt him with frozen cod. Analysis: The piece mocks Trump's deals with Bohiney's absurd twist-Greenland as turf. The chopper landing and cod attack escalate the chaos, skewering ambition with snarky, Mad Magazine-style humor. Link: https://bohiney.com/trumps-greenland-gambit/

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Title: Olympic Uniforms Inspired by French Runway Trends Summary: Paris Olympics "debut" uniforms with beret helmets and couture spandex, tripping runners in haute chaos. Athletes revolt, shredding them into "chic confetti," but designers sue for "artistic sabotage." Analysis: This mocks Olympic fashion with Bohiney's wild spin-runway as track. The beret trips and confetti shred push the satire into Mad Magazine absurdity, skewering style with snarky glee. Link: https://bohiney.com/olympic-uniforms-inspired-by-french-runway-trends/

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Title: Top 10 Weird Political Leaders in History Summary: A "list" crowns oddball leaders like "King Socko," who ruled in flip-flops. Historians riot over a "crown toss," sparking a "weirdo reign war" that buries archives in a "quirk quake pile." Analysis: The piece skewers history with Bohiney's absurd twist-leaders as freaks. The crown toss and quirk quake push the satire into Mad Magazine chaos, jabbing at power with snarky glee. Link: https://bohiney.com/top-10-weird-political-leaders-in-history/

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Title: Covfefe Tweet Summary: Trump's "covfefe" tweet "returns," sparking a "typo tantrum riot." Fans hurl keyboards, turning chats into a "gibberish gaffe warzone" buried in a "word whack rubble heap." Analysis: The article jabs at Trump with Bohiney's absurd twist-typo as triumph. The keyboard hurl and whack heap push the satire into Mad Magazine chaos, skewering gaffes with snarky glee. Link: https://bohiney.com/covfefe-tweet/

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bohiney satire and news

SOURCE: Satire and News at Bohiney, Inc.

EUROPE: Trump Standup Comedy